Treason: A Sallie Bingham Reader Sallie Bingham | Sarabande Books | 9781946448620 | August 2020 “Sallie Bingham redefines the life of Doris Duke and describes her impressive career in public talk.”—Duke Chronicle
SPEECH Jill Magi | Nightboat Books | 9781643620077 | September 2019 “Reading Jill Magi’s newest poetry collection SPEECH is like going for a walk inside someone else’s dream. . . . SPEECH is not just a cognitive mapping of a Middle Eastern city, but the unveiling of how one ingests a physical space and attempts to produce a poetic response—a simple act of speech.”—Carolina Quarterly
The Readers’ RoomAntoine Laurain, trans. Emily Boyce, Jane Aitken, and Polly Mackintosh | Gallic Books | 9781910477977 | September 2020
“Laurain has spun a fantastically intricate web here, where the smallest detail could be significant, and, no matter how sure you are that you’ve grasped it, he is one step ahead. Joyously far-fetched and metafictional.”—Herald Scotland
The Crossroads at Midnight Abby Howard | Iron Circus Books | 9781945820687 | February 2021 “Strong Neil Gaiman vibes. All five of the tales included here were the type that gets under your skin.”—Geek Mom
Last Dance Hanna Schroy | Iron Circus Comics | 9781945820724 | January 2021 “A sobering fable about the prices that people pay to stay at the top of their art.”—Foreword Reviews
Azadi Arundhati Roy | Haymarket Books | 9781642592603 | September 2020 “Roy’s Azadi is the outcome of a life of writing from the frontline of solidarity and humanism, and from a writer who is perhaps only now reaching the height of her literary powers.”—The Guardian
Feebleminded Ariana Harwicz, trans. Annie McDermott and Carolina Orloff | Charco Press | 9781916465602 | October 2020 “This is a novel whose characters’ conflicts spill out of the page and into the prose used to tell their story, making for a searing read.”—Vol 1 Brooklyn
Dispatches from the Republic of Letters edit. Daniel Simon | Deep Vellum Publishing | 9781646050338 | October 2020 “Dispatches gives us a multifocal perspective on the making of world literature itself.”—91st Meridian
Not One Day Anne Garréta, trans. Emma Ramadan | Deep Vellum Publishing | 9781941920541 | May 2017 “This is a book for those who don’t mind a little unease in their reading experience. It will not go where readers expect, and that imbalance is part of the structure of the entire narrative. It is also for those who relish language, particularly the way words can build a foundation for trust, can intimate the unspoken, and can leave you reeling.”—Rainbow Round Table Book and Media Reviews
Hotel Almighty Sarah J. Sloat | Sarabande Books | 9781946448644 | September 2020 “Hotel Almighty is a profound work of reinvention — from King’s pop fiction to a hybrid work where houses grow wild with flowers, where one asks hell to “subside a little” (42), and where the reader enjoys every minute of the bizarre, vivid, delightful journey.”—The Indianapolis Review
That’s an awfully rough start to a low-key interview! I’ve torn two ligaments and fractured my femur, I had a kidney stone, and I broke a tooth this year. But I didn’t catch coronavirus, I didn’t die in a hospital bed in Javits Center, and none of the accidents that befell me happened at the hands of the government thugs or right-wing goons, so let’s call that a win. How are you doing?
Can you talk about launching the Bookstore at the End of the World? What were your hopes for the project, and how has it been going?
The Bookstore at the End of the World came about to address a need and name a problem. Booksellers, dozens of us here in NY, but also in Portland, in Philadelphia, in Chicago, and all across the country, were let go when our shops closed. There were a lot of high-profile GoFundMe-type deals for those shops, but I’ve always understood a bookstore to be approximately nothing without its staff and there was not enough being done for those people who make bookstores great. BINC is admirable in many ways, but I don’t personally believe that booksellers or anyone else for that matter should have to prove their need to receive funds. The Bookstore at the End of the World was a collective that put an equal share in every participating bookseller’s pocket and we got that money by selling the books we love. Revolutionary, right?
What does business look like right now across your various roles? What community building efforts have you found to be effective during the pandemic?
My roles are always varied and so the challenges I’ve had to respond to have been pretty variable, too. In one sense, I’ve had to refashion what book publicity looks like in a world totally on fire. How do you compose an email to someone who is watching their business go to pieces and then pitch them a book event on Zoom? Is it kind to do so, to proceed with business as usual when their doors have been shut for two months or more?
How do you write a journalist and ask them to redirect their attention from actual secret police abductions and widespread state-sponsored violence to a late-career book about the craft of writing? Is it even ethical to do so?
If my role is to promote access to books in communities without bookstores—as it is sometimes—what steps can I take to do that when we’re in the midst of a public health crisis that spreads, as best we can tell, through airborne droplets from the face holes of nearly every human reader? How much risk/droplets should I personally absorb to get books back onto the street through the bookmobile I run for House of SpeakEasy or through the mutual aid bookstore, Open Borders Books, that I operate with my friends every Sunday?
I had always understood community to be the people I surrounded myself with, but sitting in my apartment with ambulances going by at all hours of day and night, I had to seriously reconfigure that notion. It’s every fucking person who needs anything I can give them. That’s where it ends in this forsaken year.
What are publishers or other bookstores doing right now that you are particularly excited about? Who is inspiring?
Jisu Kim at Feminist Press is pretty badass. It helps that she’s pushing one of the best books of the year, Fiebre Tropical, and that the author, Juli Delgado Lopera, is a dream to work with, but Jisu has been deeply supportive of Open Borders Books in a variety of ways and she even arranged for Juli to come to our first book club meeting.
And, speaking of Open Borders—I’m always speaking of Open Borders—the folks who run this bookselling project are constantly inspiring me: Natasha Gilmore, Emmy Catedral, Terrie Akers, Dave McMullin, Thomas Evans, and Katherine McLeod. Every one of them has a thousand things to do at their day jobs making, selling, marketing, promoting, editing, archiving, and studying the printed word and they still spend four hours every Sunday making sure that our community has safe and friendly access to books. And half the proceeds go directly to local aid organizations like our community fridge, New Immigrant Community Empowerment (NICE), Make the Road, and Damayan while the other half is reinvested in bringing this community a permanent brick-and-mortar store.
I’ve said it before and I’ll say it again: Bookshop came to play at exactly the right time for bookselling. It isn’t a one-size-fits-all solution to the problems of the digital age. It’s not a giant-slayer where Amazon is concerned. But the folks at Bookshop kept a lot of bookstores afloat when nothing else could have this year. And they hired five booksellers from The Bookstore at the End of the World to work customer service when their own shops had cut them loose—shout out to Genay, Amanda, Nathan, Justin, and Jacob!—so let’s give credit where it’s due and watch the next chapter unfold.
Do you have any new practices you hope to continue even after this crisis subsides?
What are your hopes for the future of bookselling and independent publishing?
Girrrrrl, you haven’t got time for me to answer this. I’ve got big dreams about building more collectivist bookselling and publishing schemes, book festivals without all the corporate logos, an artbookmobile, and a special adaptation of When Harry Met Sally starring Myriam Gurba and Hanif Abdurraqib.
What are you working on and what are you reading? Do you have anything you would pair it with (a food, a movie, another book, etc.)?
I’m working on all the above. But I’m reading Permafrost by Eva Baltasar in Julia Sanches’s translation. Add it to your TBR list for next year and remember to thank me when you get to it. It’s the caustic and queer confessional novel that readers of Sheila Heti, Maggie Nelson, Anne Garréta, or Max Frisch have been searching for. Also, for the record, the official drink of 2020 has been Gilka Kaiser-Kummel.
The Readers’ Room Antoine Laurain, trans. Emily Boyce, Jane Aitken, and Polly Mackintosh | Gallic Books | 9781910477977 | September 2020 “Famed for the eccentric yet elegant whimsicality of his novels . . . Antoine Laurain has established a fanbase that includes the Duchess of Cornwall.”—The Sunday Times
The Farm Max Annas, trans. Rachel Hildebrandt Reynolds | Catalyst Press | 9781946395221 | September 2020 “A subtle, intelligent crime novel that leads with action and judiciously drip feeds character and meaning into the story along the way.”—Crime Time
To Know You’re Alive Dakota McFadzean | Conundrum Press | 9781772620498 | December 2020 “Dakota McFadzean’s story collection To Know You’re Alive is deliberate, creepy, and wonderful. These stories might be called haunting or disturbing, but that loose description doesn’t do justice to their subtle and graceful complexity.“—Foreword Reviews
Founded in 1985 in St. Paul, Minnesota, and now based in Minneapolis, Consortium Book Sales & Distribution is a full-service distributor that works with more than 125 celebrated independent publishers across the globe. The Bookslinger is our archive, updated weekly, of just some of the recent accomplishments of our publishers.